And as a result we started experiementing with old finnish folk and accordeon samples and updating them with modern club beats and sooner then we realised we had crazy music originating from finnish traditional music. It sounds totally new, so we named the genre Baltik Bass as of coming from the countries around Baltic Sea. We've got several cool tracks and remixes and they're gonna be compiled on Boom Shakalaka presents Baltik Bass vol.
As a first official promo, here's a track by DJ Emil. Dj Emil vs. Kiharakolmio - Riddim And Culture by Boom Shakalaka Boom Shakalaka is worth following also on facebook , soundcloud , mixcloud and twitter for new remixes, releases and mixes will be dropping during the summer.
And Boom Shakalaka has also a brand new blog out where we post tunes we like from around the world; reggae, dancehall, soca, reggaeton, cumbia, baile funk, kuduro, kwaito, bongo flava, bhangra, desi, balkan beats, you name it — you got it! So if you finnish peeps are around, come holla for free punch, clothes give-aways and hot tropical music from around the world.
More info from the facebook event. DJ Svengali made a special Boom Shakalaka mix for the summer with nuff reggae, dancehall, cumbia, balkan and tropical vibes. Posted by Timo Santala at 4 comments:. The baile funk producers in Rio love all kinds of horror samples to create an intense atmosphere in the favela bailes.
The western producers on the other hand usually tend to concentrat on the more percussive side of baile funk that prevails in Rio nowadays. Sometimes you need a foreigner to take it back to the old school Posted by Timo Santala at 1 comment:. Check out this clip of her in Paris. And these are the both parts of the VBS episode. And guess what comes after Velocidade 6?
You're forgiven if you want to ignore socio-economics and just shake your dumper because that's the real aim here. As future U. The economy is fucked up. There's war going on. People don't want to think about all of that shit. People want to relieve all of that stress and tension. It's Miami circa-'86 to the Extreme down there, kids, and there are no big record contracts to save anyone from the slum.
The prevailing sound of favela funk is the bass. It's the basis of every song, so if you don't like it, don't bother. Some tunes color it with traditional instrumentation like the accordion-tinged "Pavaroty" or the horn blasts of "Bate La Palme De Mao", but for the most part, samples and synth flashes are just window dressing for the low end. Slider Area 1. Slider Area 2. Slider Area 3. Category 1. Category 2. Advertise Space. Category 3. Category 4.
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